Author's note: Didactic poetry was often used as an aid for remembering oral lessons. Please read aloud!
Meter and Feet
Metrical feet is a subject quite varied
Leaving the poetry writer most harried
Pyrrhic, Dactylic, it’s all so confusing
Cretic or Spondee, which should I be using?
Let us now study this subject most awful
Always insuring our meter is lawful
“Meter” is simply a pattern repeated
Rhythmical accents are pounded out, beated
“Foot” is the other component that’s needed
Smallest of units where pattern is heeded
Feet that have two beats are common and normal
Pyrrhus and Spondee are awkward and formal
Iamb has two beats the first which you soften
Shakespeare used iambs for sonnets most often
Emphasis falls on the beat which comes after
Iambs are serious, not used for laughter
Here is a single word that illustrates this
That word: “desire,” has an ending that is stressed
Trochee’s precisely the opposite stresses
First beat is emphasized, second is stressless
Oddly enough the word “iamb’s” trochaic
Learning these subtleties is quite prosaic
Two beats without stress are pyrrhic in meter
Hard as you look you will not find a beat there
Spondees have two counts of equally high stress
Using all spondees would make quite a big mess
Now you have learned all the feet that have two beats
Three beats and four beats and more beats are such treats!
Feet that have three beats can come in nine fashions
Learning them all may inflame wordly passions
Dactyl is used in the line you are reading
One beat is stressed with the next two receding
Tribrachs with no stress are used almost never
Likewise molossus with stresses forever
Please learn these poetry rules before bending
Anapest has just one beat at the ending
Antibacchius with two beats to start out
Makes bacchic’s trailing two beats eat their heart out
Amphibrach’s singular beat’s in the middle
Poets may use amphibrachic a little
Last but not least we have cretic to cover
Then will our three beat didactic be over
Cretic has three beats, you might want to try it
Ends that are stressed while the center is quiet
Feet that have four beats are sixteen in number
Learning them all would just send you to slumber
Eight beat feet sometimes can be hudibrastic
Seven counts often will seem pherecratic
Hipponactean may send hearts apounding
Minor ionic is simply astounding
Stop me before I go on never ending
Further instruction will have to be pending
Thus ends this lesson in poetry meter
This is goodbye dear long-suffering reader!