I hate Paris.
It had started out so easy. I should’ve known it then – jobs like this never turn out easy. On the contrary. They tend to be tough as nails, the variety carpenters use in high-pressure nail guns to attach wood panels to uncooperating surfaces. Little, small black nails, that always tend to drop to the floor, get stuck in the crack between your shoes and socks and then generally irritate the heck out of you when you try to clean them away.
I don’t normally tend to morbid thoughts, but when you’re driving through the traffic-congested streets of Paris with a suicidical maniac called Jacques (if that really is his name), even a well-adjusted personality tends to get a little pissed off.
The little art gallery in the Rue Etienne Marcel tried to lull you with that mix of avant garde artist place and hush-hush collector’s exchange. This also made their security set-up a bit of a nightmare for them. After three days of posing like an interested connoisseur and checking the place out, I decided that a hit and run would be the best option. Looking back now, I got at least fifty percent right.
On the fourth day I had augmented the usual paraphernalia of a collector of fine arts with a riot-control size can of teargas and a carpet knife. After four slashes with the knife and a couple of splashes with the gas, a vintage Manet painting parted with it’s former owner and was on it’s way to the next. No, that’s Manet, you cretin, not Monet! Just like money, which I seemed ever further away from collecting.
The big mistake came in trusting my employer’s choice in accomplices.
“Thees ees Jacques,” he said, “you trust him, he knows theese streets vell.”
Right.
So here I was, my fingers digging into the black plastic dashboard of a cheap Fiat. To my left, Jacques, idiot extraordinaire, who not only hit a bloody poodle during our frantic escape, but also managed to sideswipe a Gendarmerie squad car directly afterwards. I had briefly nurtured the dim hope that the ensuing chaos would let us slip away, but to no avail.
My sprint to the curb outside the art gallery ended in a disbelieving, head-shaking full stop when I saw that Jacques had neatly parked our get-away car in a parking slot which left about half a foot in front and back. I ripped open the door and slammed myself into the passenger’s seat. Jacques was panting excitedly and now (now!) started the engine which turned over once, twice, then finally caught. Revving the motor up into the supersonic, he smiled at me.
“Eh, nice little parking space, non? Is impossible to get good parking like this, non?”
I was too busy rolling up the canvas and stuffing it into a cardboard tube to give him the smack on the head he so rightly deserved. From the corner of my eye I saw that the commotion I had caused in the gallery was spilling into the street.
“Go!”, I screamed at Jacques, who was still grinning like the pope on dope.
“Go, go, go!”
Gears moved slowly, both in Jacques head and in the badly serviced manual shift engine. Slamming first into the front, then the rear car, he pulled out into traffic, which tried to avoid him by turning with screeching tires onto the opposite lane. Milliseconds later, the first crash of many ensured that our subtle little get-away was going to be anything but.
After the poodle incident in the Rue Saint-Lazare, we had the Gendarmerie on our tails with a vengeance.
Now, in France, you got yourself the ordinary traffic-cop variety which they call “la police”. Easy, huh? But they also have a paramilitary-like cadre of high-testosterone, no-nonsense, Boot Stompers. The Gendarmerie.
I got slammed into the door as Jacques took a hard left turn into the Rue Beaubourg, and one look at the white-eyed frenzy in his face told me that even Jacques had noticed who was following us.
“Turn left!”, I screamed, looking through the rear window. “Right!”
It was no use, they were still following.
“Right, left, go, go!”
Suddenly I saw my chance. Like a sign from the Almighty, there was the Metro station of the Arts et Metiers District.
Reaching for the cardboard tube, I slammed into the side of the door, wrenching it open. I hit the ground, rolled and came up running. Leaping down the stairs, I quickly jumped the turnstile, and was about to turn toward the arriving subway train when an attendant grabbed me by my right arm.
“Sir, your ticket?” His eyes glinted with a predatory smile.
“You do have a ticket, don’t you?” My exasperation told him otherwise.
God, I hate Paris.