Ok. I’m late. It’s 9:17 a.m. Monday; I thought I’d put stuff in the dryer last night, but I didn’t so I put on the shirt I wore to work last Friday, then the neighbor’s dog jumps up on me, but I'm already late so . . .
James lunges at me as I walk into our cubicle.
“Have you heard?”
“What?”
“That book--that canary in the doghouse thing—they want it.
“But Samuels gave it back to me; he said it was lame.”
“I know, but he was just down here looking for you. I guess he told Murphy about it at golf Friday afternoon and Murphy says, ‘Hey I like it. I want it—sight unseen.’ He thinks the concept’s a winner. So Mickey, this is huge for you; I mean, you pulled the thing out of the slush pile and went with it.”
James doesn’t even sound jealous. He’s like that. Two of us interns: same time, same job—and only one editorial assistant will actually be hired—the guy who “discovers” books which actually end up getting printed.
“Samuels said to get the manuscript to him asap,” James says.
“Oh, man—of all days for me to be late.” I pull open my file drawer and then I remember.
“I don’t have it.”
“What?”
“I threw it out.”
“You’re kidding,” James says.
“I am not kidding. When Samuels shot me down. I just tossed it.”
“Ok, ok not to panic. Just call the guy. Have him e-mail it.”
“What guy?”
“You don’t remember the guy’s name?” James is incredulous.
“I don’t know, I don’t know—it was something like Prather or Pather or something?”
“Where does he live?”
“I’m not sure.”
“You know, man, maybe you deserve to be blowing this,” James says.
“No, wait, I remember now. I looked it up to see if Quitman, Mississippi was really a town.
“Ok, I’ll get the number for you,” James says.
Two minutes later, a male voice answers.
“Ok, so Mr. Prather,” I say. “Here’s what happened--they like your book, but at first they didn’t so I threw it out but now they like it so this could be very cool but you have to e-mail me the book.”
“What do you mean?” I ask.
“I don’t understand,” I say. “I would not have read a handwritten manuscript, Mr. Prather. . . Oh, the librarian typed it up for you--good, good. Then just get her to e-mail us a copy.”
“She what? She typed it on an electric typewriter? I see. So, after she typed it up, did she make a copy? Yes, like on the Xerox machine. Good, good. Well, you’ll just have to fax it—I’ll pay for it. . . No fax machines in Quitman—none in all of Clark County that you know of, uh, huh. Ok . . . well—“
Samuels walks in.
“I’ll take over this call for you, Mickey,” James says grabbing the phone. “I will make this happen.”
“Ok,” Samuels says to me. “Murphy’s having one of his read-alongs. You’ve got eleven minutes to get up there. He wants you reading from that abomination—uh, you got a change of clothes here?”
I shake my head and he calls up for Suzanne to bring down a clean shirt and tie from his closet.
Suzanne! Man, I’ve been trying for weeks to get up the nerve to ask her out. And now I’m standing here in a filthy shirt and a mud-splashed tie being yelled at when she walks in wearing some dynamite red dress and I say
“Thanks, Cathy, I really appreciate it.”
As soon as it’s was out of my mouth, I’m like--Cathy—I can’t believe I called her that . . .
Samuels rolls his eyes. “SUZANNE, I think you meant,” he says, “has the code for the penthouse elevator. She’ll wait for you.”
She follows me to the men’s room and stands next to the door. I think, “this is about as much humiliation as I can take,” but, of course, it isn’t.”
Because for some reason I take the shirt and tie into the stall with me, and when I unzip my pants, I drop them both.
So here I am in a stall with a dripping tie I just fished out of the toilet, supposedly on my way to a presentation with the Big Boss which could make or break my first real job--with nothing at all to present, while the girl of my dreams decides to write off a guy whose boss has to tell him to wash up and who calls her by his ex-girlfriend’s name.
This has probably been the longest day of my life. I look at my watch; it’s 9:53.